RELASI KUASA DALAM PUISI “ENGKAU YANG MENULIS PUISI, AKU YANG MENANDATANGANI” KARYA NIZAR QABBANI DALAM PERSPEKTIF PIERRE BOURDIEU (PENELITIAN KRITIK SASTRA POST-STRUKTULARISME)
Main Article Content
Abstract
One of the famous poets (poetry creators) of his time was Nizar Tawfiq Qabbani (1923-1998) from Damascus. Most of his poetry deals with the themes of romance, politics, and feminism. Unfortunately, literary works are often "extinct" due to lack of support from readers. To preserve a literary work, something is needed to take care of it. Literary criticism is a tool to preserve literary works. And there are many theories of literary criticism that can be used as a tool to use in research. The aim of this research is to find out the poet way builds power relations according to Pierre Bourdieu between men and women in the poem. This research is a type of qualitative research, and researcher apply the documentation method in collecting data in this study. Researcher used descriptive and analytical approaches to analyze the data in this study. And the results of this research is that the power relations between men and women in the selected poem contradict what happened in real life. In general, men will always be in power, and men will always have the power to control or dominate. So that men become the main figures in the upper class or in Pierre Bourdieu's theory it is said to be the dominant class, while women are lower. However, it is inversely proportional to this poem by Nizar Qabbani. The researcher found in this poem that women are strong creatures, women can do anything by themselves. Even in this verse, women are demanded not to always be submissive and obedient just because the culture and society that have been passed down from generation to generation look down on them.
Article Details
Authors who publish with this journal agree to the following terms:
- Copyright on any article is retained by the author(s).
- The author grants the journal, right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work’s authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
- The article and any associated published material is distributed under the Creative Commons Attribution-ShareAlike 4.0 International License
References
Rahman, Musyfiqur. 2017. Aku Bersaksi Tiada Perempuan Selain Engkau. Yogyakarta: BASABASI.
Rahman, Musyfiqur. 2019. Begitulah, Kutulis Sejarah Para Perempuan. (Yogyakarta: Fiksi DIVA Press).
Sukron Kamil, Sukron. 2009. Teori Kritik Sastra Arab Klasik dan Modern. (Jakarta: Rajawali Pers).
Widodo, Brigitta Winasis. 2019. Dominasi Maskulin Dalam Novel Dua Ibu Karya Arswendo Atmowiloto: Perspektif Pierre Bourdieu. Skripsi. Yogyakarta, Universitas Sanata Dharma.
أمين، أحمد. 2012. النقد الأدب. مؤسسة هنداوي للتعليم والثقافة.
بزاز، عبد الكريم. 2007. علم اجتماع بيار بورديو. رسالة الليسانس. (قسنطينة: جامعة منتوري قنسنطينة).
بغو، عبد الرؤوف. 2012. ما بعد البنيوية وأسسها النقدية والفلسفية. رسالة الدكتورة. أم البغوي: جامعة محمد العربي بن مهدي.
زطريا، دادي. 2017. علم البيان في غزل ابن زيدون في باب أضحى تنئي. البحث العلمي.
قباني، نزار. 1989. هكذا أكتب تاريخ النساء. الطبعة الخامسة. الرسوم الداخلية الفنان ضياء العزاوي
موسلوي. 2018. تطوير مواد تعليم علم البيان بمدخل تعليم والتعلم السياقي في معهد دار الأخوة بمالانج جاوي شرقية. رسالة الليسانس. قسم تعليم اللغة العربية كلية الدراسات الجامعة مولانا مالك إبراهيم الإسلامية الحكومية مالانج الإندونيسيا.